CERAMICS STUDIO

A new light-filled detached workshop (permitted as an additional detached dwelling unit), offers interior and exterior spaces for forming and firing ceramics.

LOCATION
Seattle, WA
ARCHITECTURE TEAM
Gentry / O’Carroll
Max Hunold
Sarah Long
STRUCTURAL ENGINEER
Pacific Engineering
CERAMICS
Natasha Alphonse Ceramics
CONTRACTOR
Dovetail
PHOTOGRAPHER
Kevin Scott

Our client for this new space is a talented maker of functional ceramics that grew up in Northern Saskatchewan, part of the Denesuline tribe. The land she comes from has always informed her work. “Powerful history, sustenance and stillness, all at once” is the way she describes this place that is deeply woven into her creations. “The forms I make are quiet and simplified designs. I gravitate towards natural earthy tones.” The design team’s challenge was to create a space that would honor her history and work. The architecture needed to be a powerful yet simple expression with an aim to further inspire her making and teaching others interested in the art and craft of ceramics.

Finding ample studio space for sculpting and firing ceramics in Seattle is not easy and comes at a premium for renting. Due to her growing online business and desire to host classes and pop-up shops, our client was interested in building her own space that was closely aligned with her functional needs and design sensibilities. Having lived in the existing residence for a few years, she wanted to build a ceramics studio which would also act as a future detached dwelling. It was important that the space was filled with natural light for working and also had direct access to an exterior terrace for two kilns. A large cantilever roof extends from interior to exterior to create the working terrace, increasing the usable space of the studio. A series of large skylights that pierce the roof in three key locations (loft, interior studio, covered exterior kilns), drop natural light where it is needed most. Exposed rafters inside and out create a structural rhythm and beautiful warm wood tones tying the entire space together. A strong material transition with white display walls below and warm wood above further echo the lines of the structure and cantilevered roof. This wood underside to the structure is illuminated with linear up/down lighting to create warmth in the space year round through our long winters.

"As I make each piece, I like to wonder what new routines and rituals they will become apart of. I hope that they become vessels that grow more interesting with time and that they intensify what you chose to put inside them." - Natasha Alphonse

“The forms I make are quiet and simplified designs. I gravitate towards natural earthy tones.” - Natasha Alphonse

LOCATION
Seattle, WA
ARCHITECTURE TEAM
Gentry / O’Carroll
Max Hunold
Sarah Long
STRUCTURAL ENGINEER
Pacific Engineering
CERAMICS
Natasha Alphonse Ceramics
CONTRACTOR
Dovetail
PHOTOGRAPHER
Kevin Scott
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